﻿WEBVTT

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We've reached the
coordinates, Captain.

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Yellow alert. On screen.

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I love everything
that I'm in this season.

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I can't sing our brilliant
costume designer,

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Gersha Phillips' praises enough.

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It's a kaleidoscope of
brilliance, the mind of that lady.

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Today would not be possible
without the <i>U.S.S. Discovery</i>

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and your crew.

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It's always so exciting at
the start of new seasons

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when I get to be in new things,

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and the dress uniform
especially I think is gorgeous.

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I think it's gorgeous on everyone.

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And I love these
new uniforms as well.

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I think that they call back

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to earlier iterations of Star Trek.

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I think they call back to
TOS especially

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in a really beautiful way.

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[Tilly] Captain on the bridge.

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[Gersha] When we shot the
last episode of Season 3,

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we realized that the
uniforms matched the ship,

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the walls of the bridge.

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That was the impetus for
creating these new colors,

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and so we spent a lot of
the beginning of the season

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trying to come up with the
best combinations of them,

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'cause we were trying
to hold the gray,

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go with a darker gray.

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I'm actually really happy with them,

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and I kind of wish we had
thought about that sooner.

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But it did take looking at that

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and seeing Sonequa's
head almost looked

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like it was floating
on the captain's chair

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to realize that for us.

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At first, I was like, "Oh no,
I look horrible in yellow.

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This is gonna be a disaster."

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That's in the yellow zone, Captain.

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But it's actually,
it ended up being okay.

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Looks pretty cool with the eye.

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It's a little punch of color
on the bridge, which is fun.

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I love being in command red.
I really do.

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I think that it's...

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I think it's bold.

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And I also really loved the
slight shift in hair again

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because I now have
these individual braids,

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which I thought really
spoke to the sense of ease

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and security that has
come from maturation

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and then also from finally
sitting in that chair.

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I guess it's evolving it

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and making it look more interesting.

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Basically, the most
important thing is we try

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to create a cleaner, sleeker
silhouette for Starfleet.

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And then when we looked
at doing Kelpiens,

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it was the same idea
but slightly different

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because they're more organic.

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So we tried to keep an
essence of the organic

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but then still push the
look forward in some new way

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so it felt like it had evolved.

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It's really the trick of the eye

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in trying to convince
ourselves and everybody else

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that we are actually doing that

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and that's what we're seeing.

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We're stuck with 21st-century
materials and capability,

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so it's definitely a challenge.

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And then our other thing that we did

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that I think was the most
challenging that we've done

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and probably maybe one of
our greatest costumes to date

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is the EV suits.

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I think it's our sixth or
seventh iteration of an EV suit.

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And we've been trying to,
with each one,

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make them more comfortable
for the actors.

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I'm very proud of them,

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and I think our team,
I know our team is.

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They worked very hard on them,

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and they look amazing,
in my particular opinion.

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You will take us to your ship.

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Oh.

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Yup, time to go.

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That slick leather jacket
in the first episode.

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I love how all of that
speaks to the boldness

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of Captain Michael Burnham, as well.

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It was actually kind of
a mistake for me

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'cause I was doing her
a jacket that was her...

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I thought she was in her
courier mode for some reason

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because she was on this mission with Book,

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so that was me interpreting
the writing wrong.

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And then both Tunde
and Michelle said,

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"No, she's actually in Starfleet mode,

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and can you make
that jacket cleaner

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and make it work for that?"

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So we just tweaked the design
and turned it into that coat,

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which worked really well
in the end for everything.

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So it was kind of neat.

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And now it does become
a cool new uniform

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for the Starfleet world,
which is kind of awesome.

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It's what we do.

