﻿WEBVTT

1
00:22:12.998 --> 00:22:14.541
Alice, Brent, and Patrick,

2
00:22:14.541 --> 00:22:19.504
your three characters share
the pivotal scene of the movie,

3
00:22:19.504 --> 00:22:22.382
when Picard is willing and ready

4
00:22:22.382 --> 00:22:25.052
to give himself back to the Borg.

5
00:22:25.052 --> 00:22:28.680
Right before Picard and Data team up,

6
00:22:28.680 --> 00:22:31.183
we find out Data's really on our side

7
00:22:31.183 --> 00:22:33.852
and they sabotage the Queen.

8
00:22:33.852 --> 00:22:37.272
It's such an incredible
moment in the film.

9
00:22:37.272 --> 00:22:38.690
It's such an incredible moment

10
00:22:38.690 --> 00:22:41.818
in the history of the Star Trek franchise.

11
00:22:41.818 --> 00:22:46.198
I would love for you to talk
about that scene in particular

12
00:22:46.198 --> 00:22:50.660
and the other scenes that you
had together, the three of you

13
00:22:50.660 --> 00:22:53.789
and Alice, I would love it
if you would start us off.

14
00:22:53.789 --> 00:22:58.543
It was a wonderful scene
because it was the first moment,

15
00:22:58.543 --> 00:23:01.213
I mean, if I talk about it

16
00:23:01.213 --> 00:23:03.340
from the point of view of an actor,

17
00:23:03.340 --> 00:23:05.300
in all the build up we've had,

18
00:23:05.300 --> 00:23:10.300
it's the first moment
that the Queen and Picard

19
00:23:11.807 --> 00:23:16.770
actually come face to face
with their shared history.

20
00:23:18.397 --> 00:23:22.192
Just as an actor, the arc
of the writing of the scene

21
00:23:22.192 --> 00:23:26.196
was wonderful because it's
an extraordinary journey

22
00:23:26.196 --> 00:23:31.076
through the scene from where
it starts to where it ends.

23
00:23:32.619 --> 00:23:35.163
Just a beautifully written scene.

24
00:23:35.163 --> 00:23:40.163
And great to do, because
it's one of those scenes

25
00:23:42.462 --> 00:23:46.675
that does itself, if you let
it, if you don't mess with it.

26
00:23:48.593 --> 00:23:51.680
And I think we did it
quite late in the shoot.

27
00:23:51.680 --> 00:23:54.558
So I think that there
was a sense that everyone

28
00:23:54.558 --> 00:23:57.310
had really settled into the story.

29
00:23:57.310 --> 00:24:00.647
Was this shot over, that sequence,

30
00:24:00.647 --> 00:24:01.982
was that shot over several days?

31
00:24:01.982 --> 00:24:04.651
Was it in a day? Do you remember?

32
00:24:04.651 --> 00:24:08.363
We worked an 18 hour day.

33
00:24:08.363 --> 00:24:09.197
Wow.

34
00:24:09.197 --> 00:24:13.410
It was 18 off, 18 working and nine off,

35
00:24:13.410 --> 00:24:17.581
18 working and nine off, so frankly,

36
00:24:17.581 --> 00:24:19.958
by that time, I was just floating.

37
00:24:19.958 --> 00:24:23.587
I had lost track of day or night,

38
00:24:23.587 --> 00:24:25.922
because we literally worked

39
00:24:25.922 --> 00:24:28.633
18 on, nine off, 18 on, nine off.

40
00:24:28.633 --> 00:24:31.720
So day and night got
scrambled, which was great

41
00:24:31.720 --> 00:24:36.600
because that was like the
Borg headspace, at that point.

42
00:24:36.600 --> 00:24:41.600
I was just floating, which is
a wonderful feeling. [laughs]

43
00:24:42.564 --> 00:24:46.485
It feels like that is
energetically appropriate

44
00:24:46.485 --> 00:24:48.653
for the Queen, as well,
because you are at a point

45
00:24:48.653 --> 00:24:51.323
where it seems like
everything's going her way,

46
00:24:51.323 --> 00:24:56.286
everything that she has pushed
for this moment to represent

47
00:24:58.079 --> 00:25:01.625
is going to happen, everything
is going according to plan.

48
00:25:01.625 --> 00:25:06.213
And then Data says, "Ah,
actually," it turns out not.

49
00:25:06.213 --> 00:25:08.340
Talk about that moment, Brent.

50
00:25:08.340 --> 00:25:09.841
Oh, well, you know,

51
00:25:09.841 --> 00:25:12.761
it was an incredibly
satisfying thing to play.

52
00:25:14.513 --> 00:25:15.555
I haven't seen the film in a long time,

53
00:25:15.555 --> 00:25:19.184
but I don't remember, did
Picard, Picard didn't know?

54
00:25:19.184 --> 00:25:20.352
He thought I was gone, too,

55
00:25:20.352 --> 00:25:21.478
<v ->or Data?</v>
<v ->Yeah, yeah.</v>

56
00:25:21.478 --> 00:25:24.105
We all thought, the
audience thinks you're gone.

57
00:25:24.105 --> 00:25:26.024
Everyone thinks you're gone.

58
00:25:26.024 --> 00:25:27.692
So does the Queen!

59
00:25:27.692 --> 00:25:31.196
You know, you knew that should
would have a blind spot.

60
00:25:31.196 --> 00:25:34.366
I mean, she gets hoist on
her own petard, doesn't she?

61
00:25:34.366 --> 00:25:35.909
That's right.

62
00:25:35.909 --> 00:25:36.743
You know what?

63
00:25:36.743 --> 00:25:40.622
It was such a satisfying
script all the way around.

64
00:25:40.622 --> 00:25:44.960
I mean, that moment, of
course was wonderful to play

65
00:25:44.960 --> 00:25:49.297
and climactic, but I
thought the whole script

66
00:25:49.297 --> 00:25:54.219
was unusually satisfying for all of us.

67
00:25:54.219 --> 00:25:58.557
We all got to play things
that were a dream to do,

68
00:25:58.557 --> 00:26:00.642
and they all landed so nicely.

69
00:26:00.642 --> 00:26:04.479
And even the denouement to that scene,

70
00:26:04.479 --> 00:26:08.733
the scene after Patrick or Picard

71
00:26:08.733 --> 00:26:11.194
kills the Borg Queen,

72
00:26:11.194 --> 00:26:14.781
or pulls her down-- or Data
pulls her down into the,

73
00:26:14.781 --> 00:26:18.326
whatever the substance
is that destroys her.

74
00:26:18.326 --> 00:26:20.370
But the sequence,

75
00:26:20.370 --> 00:26:24.457
the denouement sequence
with Picard and Data,

76
00:26:24.457 --> 00:26:27.752
when Picard snaps the spine.

77
00:26:30.922 --> 00:26:35.427
And we talk about Data having been tempted

78
00:26:35.427 --> 00:26:38.847
in that moment,

79
00:26:38.847 --> 00:26:42.976
and was he ever really on her side?

80
00:26:42.976 --> 00:26:45.979
And just that beautiful
line that I don't remember

81
00:26:45.979 --> 00:26:47.731
the specific number, but it had to do

82
00:26:47.731 --> 00:26:51.901
with a very infinitesimal amount of time

83
00:26:51.901 --> 00:26:53.820
that he actually considered it.

84
00:26:53.820 --> 00:26:55.989
It's like, it's like 0.68 seconds,

85
00:26:55.989 --> 00:26:57.490
I think is the number,
something like that.

86
00:26:57.490 --> 00:27:00.160
Just a beautifully written piece,

87
00:27:00.160 --> 00:27:03.079
but Rick and Brannon and Ron just did

88
00:27:03.079 --> 00:27:05.373
a fantastic job with the script.

89
00:27:05.373 --> 00:27:07.876
After he says, 0.68 seconds, he says,

90
00:27:07.876 --> 00:27:10.170
"Which is an eternity for an android."

91
00:27:10.170 --> 00:27:11.504
For an android, yeah, exactly.

