WEBVTT

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Hi, my name is Mario Moreira.

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I'm the prop Master for Star Trek Discovery season

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3

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we're going to take you through some of the

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props that we built for

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the season

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one of the big challenges.

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This season is for our for our characters.

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And for our world is

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The lack of dilithium

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so dilithium plays a big part in this season.

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We were challenged with you know,

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actually making physical dilithium,

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you know, we looked at a lot of the

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original colors and

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came up with this this this sort of

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dyed acrylic.

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One of the

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challenges was to

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to make it look as though it's a mind

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peace

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and

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how they would mind as they would laser-cut

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out of a rock.

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So what we did was

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we

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took a big piece of this dyed acrylic.

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Tillich and we

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sort of hacked away

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at it

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and then we laser-cut one Edge.

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It's a small detail

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that will never really never see on camera.

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But it's

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it's something that we know exist in the actors

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know exist.

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So

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when they're handling it they know exactly

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that this piece was cut from

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you know, a larger Rock.

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So these are the dilithium pieces that are so

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sought after this season

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Priscilla

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Target

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this year.

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We'll meet at

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You called Cosmo

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a beetle guy seein

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who's

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chasing book

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and this is a cosmos weapon.

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We're trying to push the

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push what phasers look like with are bad guys

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and what

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different

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designs we could come up with? So

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this was just a

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just an interesting shape.

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We started working with shapes

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and came up with this shape and

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you know kind of went with it from there

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and

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did some detailing breakdown on there.

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One of the things about this season was that

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we're in a bit more of a

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Ian down world where in that

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sort of

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post Federation and

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post,

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you know,

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shiny gleam on everything.

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So what you'll see on a lot of our

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work this year for

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for our bad guys is a lot more grunge

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a lot more

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sort of a rusted appearance on a lot of

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things to give that an idea that our world

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is a bit more broken down

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than when we left it.

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So one of the

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cool technological advances that we have in this season

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was something called programmable matter,

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which is as art of the

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tiny Nano

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molecules that can

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redistribute themselves and redesign themselves to become

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pre-programmed shapes

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one of those things that you'll see

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this Starfleet box

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and with the Starfleet flag inside that gets unveiled

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again, we wanted to give you know actors like

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proper

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weight to feel when they're

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lifting.

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That up.

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So if you

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feel that that's actually

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it's got yeah that's actual milled aluminum piece.

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So

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it gives a bit of

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you know, like gravitas to the to the performance

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when they're actually

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feeling this

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and then the great thing is because we didn't

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want to make the whole thing way it's done

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just exactly just 3D printed and foam

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the flag was designed by our art department.

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They update the federation's flag.

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I think it's like every 20 years of Starfleet

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for us this year.

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We had to jump,

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you know, quite a distance so

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they sort of had to track.

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Through

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and it was a bit of a process for

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them.

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But they really I think they came up with

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a really cool flag.

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These are two items that we use in the

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in the

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Mercantile scrapyard

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andorians in Orion's have come together.

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They've basically got the slave market

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and

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you'll see one of our characters getting

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branded

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with the

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little explosive device.

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This is the

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drill.

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It's a

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they put into the back of the characters neck

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because we're so far into the future this year

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this season

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a lot.

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Props are working in conjunction with VFX.

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So you'll see a lot of our stuff coexisting

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with special effects

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through

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a lot of our meetings we discussed what we

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can do

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to help VFX enhance what they're going to do

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a lot of the times they ask for,

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you know, just a little bit of movement or

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a little bit of light just for them to

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have something to key off of them something to

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work off of

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this is the piece later than that book sort

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of MacGyver's together

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to create his little handmade bomb.

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Those are all the little explosive devices

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sort of put inside

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one of the old transtator

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coupler pieces

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and then he tosses this and it turns into

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essentially a pipe bomb

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and this is just a

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super lightweight

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throwable peace and safety use

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one of the other

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Big Daddy's this year have these henchmen called The

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Regulators.

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You've seen them in a few of the episodes.

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This is their hand cannon that

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when we were thinking about phasers and

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and rifles.

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Here we were trying to get away from

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serve traditional shapes

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and we

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came up with this.

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You know,

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this

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sort of

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blaster.

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We knew we were going to do a lot

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of like heavy duty status than a lot of

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like big action sequences this year.

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So

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we started experimenting with new paints

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that take us directly from what we call a

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hero prop like a very good on camera close-up

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prop

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to a stunt prop which wouldn't have usually have

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a great paint job and would have been made

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out of softer materials

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what were able to do now with our with

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our new paint Technologies and with our new printing

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Technologies

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is go directly to a stunt prop that looks

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like

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an on camera ready to go.

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So

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this is actually all soft and is actually ready

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for like four hits and

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four punches and drops and everything.

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So

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it's they're all fully stunt ready.

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Everything is that your prop down

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here

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Federation headquarters

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one of the cool things this year about

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about me.

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The Starfleet in this

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in this season is that we know they're going

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to have

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some design changes in some design Aesthetics.

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One of the cool things

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in season one for me was to work on

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Badges and start for your badges

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and I got to do that again for season

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3.

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Great thing about some some of the stuff we're

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doing with new Metal Works.

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What we would

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normally have to do is build this in a

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bunch of different pieces and then stick them together.

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What we did this year was we created a

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stamp

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and then the hard part is

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is the different colors.

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So what we did was we masked the touchpad

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and we sandblasted this area

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and then

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hand

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metal

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finished

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the gold inside.

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So every single badge is hand-painted.

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It's a bit of a

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Effort but it's a

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you know, it's a labor of love.

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We supposed to get new Halo pads to

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you already have them

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the badge now is called the tricon badge

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and it is

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it is a tricorder communicator

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and a personal transporter.

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One of the

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fun things.

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I got to do.

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This year was

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actually work on the gestures that you'll see

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the actors doing to operate these.

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So if you're you know, if you gesture up

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with your hand that would bring up your Halo

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pad

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if you squeezed and pulled out that would bring

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out your tricorder and then

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the reverse movements

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would bring it all back.

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And then

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single tap would bring up

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a transporter

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sort of a GPS coordinate system

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that you could then

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type in where you needed to go

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tap again and you're gone

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or

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every

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try cam badge has a home button

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and a double tap

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would transport you directly

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back to where you're going.

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This is not the science lab.

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This is a lovingly referred to as that medical

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Polly inoculator.

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We call it the PIN

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for short

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and

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this does everything that our laser scalpel used to

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do

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our hypospray

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our

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dermal regenerator.

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This is this is your all-in-one

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tool.

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So you'll see our doctors and our

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medical staff.

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Basically just using this for

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where everything and it's not a continuity error.

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It's

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this this does it all

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defenseman is good.

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This is the the new Starfleet Fraser.

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We're affectionately calling this one the great white.

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This is for

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the white is for the higher ranks,

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and we've got the gray shark

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for some of the lower ranks,

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you know, there's there's sort of this

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fan nicknamed phaser which was the dolphin.

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So we wanted to get a little tougher with

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ours and a little bit more a

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little bit more dangerous.

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That's the great way.

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A lot of these for background are 3D printed

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except for the ones that are actors are hold

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are holding which will be aluminum

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milled so that there's just a bit more weight

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to them

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and you

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it's just the tiny little bit but it

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really changes the performance and it really

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changes.

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You know, how they're

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how they behave on camera with it and how

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they how they move

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the cool thing about this because it is programmable

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matter

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a lot of our crew are armed and ready

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to go

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and

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what you'll see is you don't need to

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have holsters anymore

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you'll have

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The

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this tiny little wrist Tech

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so that tiny piece is

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on the sleeve of a lot of are a

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lot of our crew

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and

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a little gesture

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bringing up

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bringing up weapon

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will then form

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and become

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this again

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a lot of our stuff this this years

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working in conjunction with VFX and

09:44.500 --> 09:45.800
with our VFX team.

09:45.800 --> 09:46.700
We

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designed a lot of features into the phaser that

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haven't been fully explored yet, but we'll

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we'll see

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we'll see them come out in different.

09:53.900 --> 09:55.300
Current seasons is to

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you know what they can all do.

10:00.600 --> 10:02.500
One of our other worlds that we

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travel to is books home planet.

10:05.300 --> 10:08.500
This is sort of this very organic

10:08.500 --> 10:09.800
Warrior

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Race

10:11.600 --> 10:15.000
and these are phaser rifles phaser Dart rifles

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and you'll see that they

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shoot these little phaser darts

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that embed themselves and then shoot to

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shoot a little

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pulse of electricity to not yet.

10:25.000 --> 10:26.700
We went with them

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sort of more of this

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more of this like,

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Wood grain.

10:30.600 --> 10:33.600
Look the the challenges is that the 3D printers

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are

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only will only print so far.

10:35.600 --> 10:37.100
So for these pieces we

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printed in pieces,

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especially in house where we don't have the big

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massive printers.

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So here we'll just print in house and then

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glue them together and then we'll mold it

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and cast it as one big piece.

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It's less of a challenge every year that the

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technology is definitely catching up to our ideas.

10:54.500 --> 10:57.300
This is actually a three a fully 3D printed

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mask

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with just a little bit of a

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bent Plexi inside.

11:01.200 --> 11:02.700
This is called the Terran

11:02.700 --> 11:04.100
death mask

11:04.100 --> 11:04.700
and

11:04.700 --> 11:05.900
you'll see it in a while.

11:05.900 --> 11:06.400
You see

11:06.400 --> 11:08.300
you saw it in a little flashback

11:08.300 --> 11:11.100
that George you has

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its all one solid piece.

11:14.400 --> 11:15.900
All of it was

11:15.900 --> 11:18.100
all of it was printed off of one

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pole

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pretty amazing little build the stuff we're doing this

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year with 3D printers is

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The Black Box I promised.

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I hope it helps you find what you're looking

11:31.800 --> 11:32.900
for.

11:32.900 --> 11:35.400
A lot of this season hinges on

11:35.400 --> 11:37.900
Burnham's search for

11:37.900 --> 11:39.300
the cause of the burn

11:39.300 --> 11:40.400
and throughout

11:40.400 --> 11:41.400
the early episodes.

11:41.400 --> 11:43.400
She's in search of

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data black boxes,

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which are on all the Federation ships and are

11:48.600 --> 11:50.000
on a lot of

11:50.000 --> 11:51.300
federation

11:51.300 --> 11:52.800
memberships.

11:52.800 --> 11:53.700
These are the

11:53.700 --> 11:54.600
the black boxes.

11:54.600 --> 11:55.200
That's a

11:55.200 --> 11:56.500
Burnham uses

11:56.500 --> 11:58.000
and Burnham finds.

11:58.000 --> 11:58.900
We've got

11:58.900 --> 12:00.200
an old beat-up one.

12:00.200 --> 12:02.000
One of the ships one of the newer ones

12:02.000 --> 12:03.100
she finds

12:03.100 --> 12:04.600
and then she finds this one which is on

12:04.600 --> 12:06.600
a cardassian ship

12:06.600 --> 12:08.900
Federation membership at that point

12:08.900 --> 12:09.600
took a

12:09.600 --> 12:12.300
little bit of inspiration from

12:12.300 --> 12:14.000
today's

12:14.000 --> 12:17.000
black boxes from Planes, which are actually bright orange.

12:17.000 --> 12:18.900
So you see here is a lot of the

12:18.900 --> 12:20.100
bright orange

12:20.100 --> 12:21.900
in the Amber's in there

12:21.900 --> 12:22.800
from

12:22.800 --> 12:28.500
inspired from today's black boxes

12:28.500 --> 12:29.800
one of the big twists

12:29.800 --> 12:30.100
in this

12:30.100 --> 12:33.500
This season that you saw is the reuniting of

12:33.500 --> 12:35.000
Burnham and

12:35.000 --> 12:36.900
berms mother.

12:36.900 --> 12:39.600
She gives Burnham the last piece of the puzzle

12:39.600 --> 12:42.000
in order to find and triangulate where

12:42.000 --> 12:44.000
the burn originated from

12:44.000 --> 12:45.500
and this is a

12:45.500 --> 12:46.800
Vulcan Romulan

12:46.800 --> 12:48.800
storage device

12:48.800 --> 12:49.800
coordinates

12:49.800 --> 12:51.100
everything for

12:51.100 --> 12:53.000
ships that were investigating

12:53.000 --> 12:55.000
where they could find more dilithium

12:55.000 --> 12:57.600
and we're one of the last ships that disappeared

12:57.600 --> 12:58.200
is

12:58.200 --> 13:00.300
again, this is a polished

13:00.300 --> 13:02.000
Clear 3D prints

13:02.000 --> 13:02.700
with

13:02.700 --> 13:03.500
brass

13:03.500 --> 13:04.400
and

13:04.400 --> 13:05.100
you look closely.

13:05.100 --> 13:06.900
They're like the black that etching

13:06.900 --> 13:09.000
on the insides all laser-etched

13:09.000 --> 13:10.600
as a really

13:10.600 --> 13:11.900
this is a gorgeous little piece.