WEBVTT 00:00.400 --> 00:02.600 You want to hear the story of the girl 00:02.600 --> 00:05.300 who made the stars 00:05.300 --> 00:08.500 is in the real-time rendering technology, lets us 00:08.500 --> 00:10.300 iterate very very quickly 00:10.300 --> 00:11.000 learning to work. 00:11.000 --> 00:12.800 That way was was one of the big challenges 00:12.800 --> 00:17.600 that we face on the short 00:17.600 --> 00:19.200 and we were working with unreal. 00:19.200 --> 00:20.200 One of the biggest 00:20.200 --> 00:22.000 perks is that it's real-time engine. 00:22.000 --> 00:23.900 Normally it can take like a couple hours to 00:23.900 --> 00:25.300 render one frame this case. 00:25.300 --> 00:27.600 It'll take 24 frames in one second. 00:27.600 --> 00:30.000 We can work in a much shorter turnaround. 00:30.000 --> 00:33.400 Almost instantaneously pretty and house mocap system. 00:33.400 --> 00:36.200 We have got some full body mocap going on 00:36.200 --> 00:38.100 and we've got some facial mocap going on 00:38.100 --> 00:39.300 with a full body mocap. 00:39.300 --> 00:40.600 It's quite interesting how the suit Works. 00:40.600 --> 00:42.900 Usually you'll see a lot of dots on the 00:42.900 --> 00:44.100 actor a lot of like 00:44.100 --> 00:44.800 ping-pong balls. 00:44.800 --> 00:45.900 But with this 00:45.900 --> 00:48.000 it's kind of like sort of a slim clean-looking 00:48.000 --> 00:48.900 suit, 00:48.900 --> 00:50.800 as you can see it's live streaming into my 00:50.800 --> 00:52.400 computer via a router. 00:52.400 --> 00:54.600 We get a real-time feedback of 00:54.600 --> 00:56.100 the actor moving around 00:56.100 --> 00:57.000 give us a wave. 00:57.000 --> 00:58.300 What's nice about this is 00:58.300 --> 01:00.000 you're not limited to a specific. 01:00.000 --> 01:01.300 Cific area 01:01.300 --> 01:03.400 as you can walk around the entire Studio you 01:03.400 --> 01:04.700 have a lot of range of movement. 01:04.700 --> 01:07.200 Are you kidding me? This is what I'm trying 01:07.200 --> 01:10.100 to say, but that's just rude we use face 01:10.100 --> 01:11.500 where for facial motion capture. 01:11.500 --> 01:13.600 So what we have to actually do is 01:13.600 --> 01:15.500 kind of draw the dots on the actors face 01:15.500 --> 01:16.100 at the 01:16.100 --> 01:17.800 same place every time 01:17.800 --> 01:18.900 so this is our 01:18.900 --> 01:19.800 base where system 01:19.800 --> 01:21.400 the dots are there for 01:21.400 --> 01:22.300 a visual tracking. 01:22.300 --> 01:24.100 Do you have a lot more time 01:24.100 --> 01:25.200 to 01:25.200 --> 01:26.600 kind of hone in on the look 01:26.600 --> 01:29.000 dial in like the eyes for example 01:29.000 --> 01:29.900 in to see it? 01:29.900 --> 01:31.100 as it's happening, 01:31.100 --> 01:32.200 but one girl 01:32.200 --> 01:33.600 said to the elders 01:33.600 --> 01:34.900 we can go past the 01:34.900 --> 01:35.900 I'm melting 01:35.900 --> 01:39.800 we can find new land we can block shots 01:39.800 --> 01:40.400 out 01:40.400 --> 01:43.000 and have live motion capture kind of 01:43.000 --> 01:44.400 work all together and 01:44.400 --> 01:45.300 see 01:45.300 --> 01:47.200 it all work in the engine and then we 01:47.200 --> 01:49.000 can see that full animation 01:49.000 --> 01:51.400 applied directly on the screen and almost 01:51.400 --> 01:53.200 final it's an area 01:53.200 --> 01:53.600 here. 01:53.600 --> 01:56.400 He's just kind of moving the character around it's 01:56.400 --> 01:57.500 in the scene. 01:57.500 --> 01:59.600 These two base stations are 01:59.600 --> 02:02.100 figuring out the location of our camera. 02:02.100 --> 02:04.800 It's been such an interesting and 02:04.800 --> 02:08.300 the process where we can see animation and real-time 02:08.300 --> 02:09.800 like a kid in a candy store. 02:09.800 --> 02:11.700 It allowed us to get a lot more creative 02:11.700 --> 02:13.600 with the shots because we could pump them out 02:13.600 --> 02:14.500 super fast 02:14.500 --> 02:16.800 then like compare and contrast them having that immediate 02:16.800 --> 02:17.700 feedback 02:17.700 --> 02:20.900 combining that with the creative freedom was like 02:20.900 --> 02:21.500 amazing 02:21.500 --> 02:22.200 dream come true.